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WARNING:
This review is definitely going to spoil you.
So, if you avoid spoilers wait to read this
until after you've seen the episode.
Well,
this was a lot better than I had feared... I
had a feeling we'd finally find out what Lana
had been up to all season and had envisioned
not ever really understanding. Also, I had thought
the episode would become campy. Yet Kelly Souders
and Brian Peterson penned a script that explained
it all quite effectively and without heading
into camp. (Or at least not getting completely
campy...)
That
said, I'm not sure I'm entirely happy with the
direction this particular episode had taken
the characters, but it was a well done episode
just the same. Aside from the contrivance of
even one sliver of kryptonite getting past Jonathan
(Wouldn't the über-father have made sure
the farm was clear of any to protect his son?),
the story was terrific.
It
had great continuity with mentions of Eric Summers
(from "Leech" and "Asylum")
and Jonathan's health problems after he'd been
given Clark's powers back in Season 3 following
the events in the Season 3 episodes "Exile"
and "Phoenix." The health problems
continued off and on until Jonathan died in
Season 5, actually, so it was great to see that
Chloe had been talking to Clark about that.
It showed she'd been curious about some of the
things that had happened in the past enough
to ask him about it. (I don't think Clark would
have brought that stuff up.) It reinforces the
idea that some exposition happens off-screen,
which makes sense. Usually this kind of stuff
isn't ever referred to so it always leaves me
to wondering exactly how much Chloe knows about
Clark so I'm glad they touched on that.
Poor
Lana has been knocked of her pedestal. However,
from what she said maybe that wasn't such a
good place to be anyway and it sounded like
she doesnt mind that so much. It's interesting
that Clark is starting to understand that he
had not been seeing Lana for who she really
is. It is the next step toward the end of their
relationship and it's a sad realization, especially
since they've had little chance to be really
romantic.
Although
Lana's brief conversation with Chloe did shed
some light on the whole almost-platonic-relationship-thing
that had been going on between Clark and Lana
since she came back. However, I have to ask:
why Clark is being so careful?
In
the comics, it's implied Clark is very sexually
active with Lois. I have seen panels of Lois
and Clark apparently naked in bed together.
I know they're married in those comics, but
Clark didn't have any issues having sex with
Lana when he'd lost his powers in the Season
5th premiere, "Arrival." So it's not
out of some puritanical idealism that is keeping
the couple celibate.
After
Clark got his powers back, he'd told Chloe that
he didn't want to have sex with Lana unless
she knew his secret. Since she knows it now,
what's the problem? Clark's in enough control
of his powers he can shake hands with other
people without crushing their bones into pulp
or pull their arms from their sockets.
Sex
has a whole lot of other things going on than
just shaking hands, of course, so I suppose
he could lose potentially lose control. But
if his control is so shoddy he risks hurting
her, how can he have sex with Lois later but
can't have sex with Lana now?
Also,
if super-powered sex is the only way Clark and
Lana are going to physically fulfill their love
for one another, color me dissatisfied. It isn't
as meaningful if they can't do "it"
when they're both normal.
I
would like to add that I don't think that Clark
and Lana staying celibate doesn't make sense
given what has happened up until now. It's just
not well motivated and I don't understand the
reason for it. Hopefully they'll explain all
this.
One
thing I did like about the turn of events in
this episode was how it affected others. Lionel,
Lex and Chloe have all now essentially picked
sides.
Lex
is on Lana's side because he sees a bit of himself
in her and believes there is still hope for
them, despite everything that's happened and
despite all the awful things he'd done to her.
Personally, I think he's fooling himself but
Lana's offices being decorated primarily with
shades of Luthor purple (with only hints of
Lana pink) is no accident. Lana has become very
Luthor-like in her actions of late, maybe he's
not too far off the mark but I guess we'll see
where that goes.
Lionel
is still trying to protect Clark anyway he can,
even at the expense of his relationship with
his son. However, trying to protect Clark from
Lana is probably not going to work very well.
Despite his hesitation at the end of the episode,
Clark obviously still loves her. He will probably
be willing to forgive a lot, even if he never
agrees with some of the things she did.
Chloe
has been through a lot with Clark. She's loved
him almost as long as the show as been on. She's
gone through her fair share of unrequited feelings
for him and even had her own troubled times
with him. Yet, she's still an extremely loyal
friend to him. She'd defended him as best she
could, even when she didn't know his secret.
Now that she does know his secret, she's been
even more protective of Clark so it makes sense
that she would warn Lana about hurting Clark.
I think she probably was a bit harsh but the
situation has probably been exaggerated for
effect to some extent. However, if that warning
is a hint of a future confrontation between
the two it should make for some terrific TV.
I loved that Grant apparently is in cahoots
with Lex. Was that part of a spoiler? If it
was I'm glad I'm not doing spoilers anymore
because I didn't see that coming, even though
I wasn't surprised. He had earlier shooed Lois
off the Luthor-cabin-in-the-woods story and
that had seemed a bit suspicious, although I
didn't say anything in my review at the time.
His conspiring with Lex instantly made Grant
a far more interesting character.
The
fact that Milton Fine could possibly be coming
back is FANTASTIC!
I
loved James Marsters take on the Brain Inter-Active
Construct so the little bit of him taking over
that lab assistant was chilling. So how is Brainiac
going to take it when he learns there is more
than one member of the House of El to possibly
control? I can't wait for James to come back
so that I can see.
All
these things could set up some interesting storylines
for the rest of the season. However, if the
writer's strike goes on for too long, the season
will be shortened and we'll only have another
8 episodes after this one. The writers probably
had their work cut out for them getting all
the scripts ready that they did, some shows
will only have eight or ten episodes done while
Smallville will have fifteen, so I hope they
were able to wrap things up satisfactorily in
such a short amount of time.
All
in all, this script was one of the strongest
of the season so far, even if I didn't always
like where it took the characters. There was
some much needed humor with Lois and Grant,
there were some great act-break cliff-hangers,
some terrific drama for Clark, the pace was
good and it kept my interest the entire time.
This was another excellent entry from Brian
Peterson and Kelly Souders.
Tom
Welling had another excellent episode. Not only
did he look fabulous (more about that later),
but Clark's journey was a very difficult one
this episode. He went from pastoral bliss with
Lana at the beginning of the episode to the
hurt caused by him doubting their relationship
at the end. One of my favorite parts was when
he went to go see Lionel. Clark clearly didn't
want to be there but he felt he had resort to
it for Lana's sake. It was difficult for Clark
to ask Lionel for anything and Tom played that
so naturally, it would be hard to see that he's
really acting at all. I think the unusual choice
of him sitting during the first part of that
interview helped that scene out a lot.
Normally,
when Clark is making demands or confronting
someone else about something, he stands. For
his talk with Lionel, he remained seated for
the first part until it was clear that Lionel
wouldn't be able help him and was in fact attacking
Lana. When he sat down, he was below Lionel
physically and that was exaggerated by him leaning
forward. He had to look up as he talked to Lionel
and it put the other man into a superior position
physically which might have helped Tom in the
scene... I wonder if that was Tom's choice or
the director's, but what an excellent scene!
Also,
Tom totally kicked some woobie!Clark butt in
the final scene with Lana. Tom didn't play Clark
as angry with Lana so much as he played that
he was disappointed in her. It would have been
so much easier for him to use anger but that
is a much stronger emotion and probably would
have been out of place. Disappointment is so
much harder to play well since it is more subtle
and Tom portrayed that beautifully. He looked
so hurt as Clark is apparently beginning to
accept that his destiny shouldn't be put on
hold for Lana, despite what he told Lionel.
I
loved the scenes Tom and Michael had together.
The subtext becoming text was totally fabulous
and I love how both men played it. Clark was
so hurt during all of their scenes. And when
Lex told Clark that getting rid of an obsession
was difficult, Michael Rosenbaum played it like
he wasn't really talking about Lana. Michael
made that clear that it's Clark's love is what
Lex can't give up. They were once best friends
and there is nobody a person can hate more than
a person he used to love. That bitterness came
through but Michael didn't overplay it. It was
perfectly balanced and that made their scenes
together a pure joy to watch.
Kristin
Kreuk was awesome as a super-powered Lana.
She was playful with the powers at first,
entranced by the allure of the abilities
and racing Clark and convincing him to
have sex. Then she played it more Machiavellian
and wanted to turn the power into a tool
in her war against Lex. As Lana had told
Chloe, it was something to employ to help
tell her story; to help expose Lex's evil-doing
to the world. I think it could have really
been overplayed and become campy, but
it didn't. Kristin actually played Lana
as more real in this episode than I had
really expected. Given how poorly served
the character has been, her motivations
at times vacillating wildly with the needs
of the story, that is probably a pretty
neat trick.
I
think my only problem with Lana's scenes with
Clark was that the few times she kissed him,
she showed little real passion. I'm not sure
it looks like Lana enjoys kissing Clark.
Before
anyone shoots off a PM to me about me being
shallow or being too hard on Kristin, let me
explain. I just think if you kiss your boyfriend
you should probably look like you enjoy it or
feel passionate about it. With how Kristin played
it, to me it seemed like Lana showed more passion
in her hate for Lex than she showed Clark with
her love. If she still does love Clark, shouldn't
she be more passionate about him than Lex? Maybe
that was a directorial choice and not an acting
one but it seemed an odd one to me.
The
other actors were also fantastic in this. Allison
Mack and Erica Durance were both awesome. I
loved how protective Chloe was of Clark. Allison
played Chloe's promise to protect Clark from
Lana less like a threat than like a statement
of fact, which I thought was the perfect choice.
Erica
Durance was funny and provided some much needed
comic relief. Her scenes with Michael Cassidy
were great. He's as charming as ever and I like
him more each episode he's in.
Director
of photography Brian Pearson, in his Smallville
debut, shot a beautiful episode. No doubt playing
pinch hitter for Glen Winter who's directing
the next episode, "Blue," Brian made
the very pretty cast of Smallville look even
prettier. I'm not sure what Brian did exactly,
but I would love for him to come back. If anyone
can make Tom Welling look even better than he
normally does, his eyes looked especially gorgeous,
I would love it if they bring him back for a
return engagement.
Overall,
I loved a lot of this episode and thought the
script was terrific but it wasn't quite perfect
so I give this episode 4.5 suspiciously convenient
hunks of kryptonite out of a possible 5.
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