"Spirit"
Review!
Written
by Triplet
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Brief
Recap:
Dawn is
a narcissistic Prom Queen wannabe who ends up driving her car
off of a cliff and into a gorge filled with (what else) kryptonite.
Her spirit is freed from her comatose body and invades a series
of people, affecting their behavior. She goes through almost
the entire cast actually. Meanwhile on the Stone storyline front,
Lex hides Bridgette Crosby's corpse but Jason plays dumb even
though he had a lot more to do with it than one might think
he ha. And Clark gets a little Lana action in a very romantic
scene that made Clana shippers happy the world over.
I liked
the episode a lot but before I start the review, I want to have
myself a little rant.
Rant:
The tease
was annoying. As gorgeous and talented as Allison Mack is, she
couldn't save this for me. The teaser is essentially flawed,
in my opinion, since it's thinly veiled purpose was to have
the most shocking moment happen in the first two minutes. The
result sets up the rest of the show as a flashback that builds
again to that moment.
I hate when
that happens. They do that a lot on Star Trek: Enterprise a
lot and it's a crutch. (Sorry, second review in a row where
I mention a ST skein. I'll try not to do that next time.)
If you can't
tell the story from the beginning then maybe there's probably
something so fundamentally wrong with it to begin with that
there's no point trying to use gimmicky time shifts to fix it.
If anyone
reading this ever gets a job writing for genre TV (or is currently
holding such a job) and runs into this situation and thinks
a flashback episode is the cure-all, let me give you a tip:
it's a lost cause. If you ever feel the urge to make your first
four acts a flashback, then maybe you should just throw that
50 pages of drek you just wrote into a drawer and start over.
But never
mind the flashback set up thing. That could very well be an
unreasonable pet peeve of mine that bothered absolutely no one
else. No, probably the worst part of this was that in the first
two minutes of the show they spoiled that Chloe would be going
postal.
:sigh:
I would
have preferred that have been news when it finally happened
some 43 minutes later. Because her storming off the stage at
the end of Act Four then became an act break cliff hanger that
wasn't very cliff hanging
I knew what
would happen next because I had seen the tease
So, how
is ruining what should be your biggest act break cliff hanger
a good idea?
If anyone
knows the answer to that, please let me know. I'd love to hear
the reasoning behind that one.
Review:
Anyway,
aside from timeline trickery (and an annoying guest star, more
on that "laters") I enjoyed this episode a lot. Probably
the best part of the show was Annette O'Toole's performance
as the teen drama queen possessing Martha's body. She's always
perfectly motherly, loving, warm and generous as Martha. She's
been underutilized this season, so I was glad to see her get
possessed by the vengeful Dawn Stiles. It gave her a unique
opportunity to stretch herself outside the boundaries of Martha's
usual straight-laced self.
I must think
that Annette O'Toole really enjoyed herself during this episode
because she was at the top of her form. It was a rare chance
for Annette to show her stuff and she didn't disappoint. She
was petulant, pouty, self-absorbed, vain, and loved singing
along off-key to Ashlee Simpson songs. It was funny and lots
of fun.
And why
wouldn't it be? The guest star who played Dawn Stiles (Beatrice
Rosen) was so over the top she was barely watch able. As interesting
as that character could have been, she was totally ruined by
the twisted caricature that Beatrice had made of Dawn. Too bad
for Dawn, but it was pure comic fodder for Annette and the others
whose characters were taken over by her.
I was disappointed
that Clark wasn't in this episode very much, Tom did so well
with the short time Clark was possessed by Dawn. His line, "The
crown's mine, bitch." Was classic
This was more
of an ensemble piece than usual. So just about everyone had
a piece of the action, as it were, and did well. Everyone except
for John Schneider, that is. This is the second straight episode
where he's phoned it in.
Makes me
wonder if he knows something we don't
I guess we'll see.
The episode
made some good progress on several running storylines, which
I always like to see. And Jason is finally showing his true
colors.
Although,
I have had a feeling for awhile that he's far deeper into his
mother's intrigues then we've been led to believe, "Jason,
methinks you dost protest too much."
But I had
no idea he was such an active participant. After all, actually
killing Bridgette Crosby in order to get the stone from her?
That really surprised me. I thought Lex did it.
But poor
Lana: she really doesn't know how to pick 'em, does she?
Jason is
clearly possessive of Lana, if looks could kill when he saw
Clark and Lana dancing together at the Prom, Clark's lifeless
body would have been riddled with kryptonite bullets.
That's setting
up a conflict that will play out later in the season, no doubt.
I can't wait to see what happens there.
Anyway,
the director of photography again did a beautiful job as did
the costume and production designers. The Prom was gorgeously
lit and the set was beautifully dressed. I found it a very interesting
technique to have the Christmas lights hang down into the frame
as the camera dollied while the band performed. It added quite
a bit of sparkle to the already sparkly set and was a nice touch.
Although
Lois' dress was hideous, since she was in the depths of being
possessed by Dawn at the time I thought that choice was understandable.
Chloe's and Lana's dresses were perfect and their hair and make-up
were fabulous. Martha's suit was probably a little too mother-of-the-bridish
for a Prom chaperone, but Annette looked gorgeous in it.
And
Clark's tux made the already drop dead gorgeous Tom Welling
even more so
I liked the white rose boutonnière
on Clark's lapel, it was a nice touch. It reminded me of the
one he wore the last time he attended a formal dance at school
in the season 1 season finale, Tempest.
Also, I must mention that the last couple of times that Smallville
went to the trouble to bring in a band (this episode featured
Lifehouse) it seemed forced and phony.
The director
did an excellent job of seamlessly blending in the performance
of the band into the dance scenes. It was very well done and
they really seemed a natural part of the scene. Far more than
Remy Zero did in similar scenes in Tempest or how tacked on
the Steadman performance felt in Fever. Also the ending song,
"You and Me" was a perfect fit for Clark finally getting
the dance with Lana that he'd missed out on in the Pilot episode.
It was beautiful and romantic.
I suppose
the only major complaints I have center on the script. Scribe
Luke Schelhaas' record hasn't actually been stellar since he
signed on this year. His previous efforts include the less than
successful Bound, Krypto and Devoted. Although, those episodes
also had redeeming features...
Oh, well.
They can't all be like Onyx and Transference.
All in all
this was pretty uneven fare, but it gets pulled out of the cellar
because of brilliant Annette O'Toole's wonderfully over the
top performance as a Dawn-possessed Martha. She was so much
fun to watch that I actually laughed out loud at several points.
3.5 stars
outta 5.
Minor
Episode Faux Pas:
Just where
did Jonathan get that kryptonite so quickly? Wish they'd explained
that one
Note:
The views of Triplet don't necessarily represent the thoughts
and feelings of everyone at KryptonSite. Send
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about this review on the KryptonSite Forum!
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